间隔此岸与彼岸的是一片苦海。彼岸因在苦难的尽头,显得格外神秘。人,一旦跳入苦海,便向往着能解脱的彼岸。有承载自身的小舟么?有与风浪抗争的小舟么?是希望的小舟么?艺术创作的路途甘苦相伴。向来的文艺理论都认为,现实生活是艺术创作的材料,而创作“必须流汗,必须再稍红,再锤打”。艺术是一场炼狱,是一片苦海,拯救自身的是找到适合自身情感需要与相应的视觉表达手段,确切地说,是艺术 This shore and the other side is a bitter sea. Because the other side of the suffering at the end, it is particularly mysterious. People, once jumped into the bitter sea, aspire to be able to liberate the other side. Have to carry their own boat it? Have a fight with the wind and waves it? Is the hope of the boat? Art complacency. The literary theory has always been that real life is the material of artistic creation, and creation “must sweat, you must red, then hammer.” Art is a purgatory, is a bitter sea, to save itself is to find their own emotional needs and the corresponding visual means of expression, to be precise, is art