论文运用叙述学中的视角理论,对毕晓普诗歌的主要特点进行了个案分析;同时以视角转换作为理论切入点,以毕晓普的“动态诗歌”和“超然物外”诗学为钥匙对其创作进行了解读。通过这种方式,我们可以更透彻地理解毕晓普游刃于“探索”和“控制”之间的技艺,及其“应归于一流艺术”的个人化修辞。 By using the perspective theory of narratology, this thesis analyzes the main features of Bishop’s poetry by case study. At the same time, taking perspective transformation as the theoretical starting point, Bishop’s interpretation of his creation is based on the dynamic poetry and transcendental poetics . In this way, we can understand Bishop’s skill at exploring and controlling more thoroughly and his personalized rhetoric “attributed to first-rate art.”