岁月的洪涛摧毁了多少煊赫的偶像,而古典文艺作品却砥柱中流,巍然屹立,永久地散发着沁人心脾而又扑朔迷离的动人魅力,原因何在?文艺理论家们作过不懈而深入的探讨,他们多从古典文艺作品本身去研究,认为古典文艺作品的永恒魅力就在于古典文艺作品中融注了古典艺术家深切的生活体验和精湛的艺术表现,所以至今仍能深深地感染万千读者。这是很可以让人信服的,但这只解决了古典文艺作品魅力构成的客观依据,还不足以解释古典文艺作品魅力的复杂现象。皮亚杰的发生认识论的建构主义学说使我们认识到,艺术魅力是文艺作品诱导出来的一种审美心理效应,它是建立在审美客体的美学结构与审美主体的心理结构对应关系塞础 Years of Hong Tao destroyed how many idols, and classical literature and art but the main stream, standing firm, exudes a refreshing and confusing charm forever, why? Literary theorists made unremitting and in-depth discussion, they Many studies from the classical literature and art itself, that the eternal charm of classical literature and art lies in the classic works of art into the deep classical artists living experience and superb artistic performance, it is still able to deeply infected millions of readers. This is very convincing, but it only solves the objective basis of the charm of classical literature and art, but not enough to explain the complex phenomenon of the charm of classical literature and art. Piaget’s theory of epistemology of constructivism enables us to recognize that artistic charm is an aesthetic psychological effect induced by literary and artistic works. It is based on the correspondence between the aesthetic structure of the aesthetic object and the psychological structure of the aesthetic body