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利盖蒂是20世纪后期具有重大影响的先锋音乐作曲家之一。利盖蒂一直尝试在当代音乐中创造一个全新的作曲技术风格,因此他一生的创作风格也在不断地变化。利盖蒂早年深受巴托克音乐风格的影响,比如调性模糊、不规整节奏、不规律节拍重音、自由对位、民族调式与中古调式音阶的运用。《钢琴练习曲》是利盖蒂的中晚期的钢琴作品,作品第一辑完成于20世纪80年代。每一首练习曲的音乐形象都非常鲜明并具个性。其中最重要的因素之一——复合多重节奏,来源于非洲音乐、机械钢琴、混沌理论、复合对位节奏(三对二节奏)、加美兰音乐等方面影响。大量的复合节奏对演奏家的弹奏技术要求相当高。本文着重讨论利盖蒂在20世纪80到90年代创作的钢琴练习曲中复合节奏的运用及演奏方式。
Ligeti was one of the pioneering composers of music that had a significant impact in the late twentieth century. Ligeti has been trying to create a new style of compositional art in contemporary music, so the style of his life is constantly changing. In the early years, Li Geti was deeply influenced by Bartok’s musical style, such as vagueness, irregular rhythm, irregular beat accents, free alignment, ethnic style and medieval style scale. The Piano Etude is a middle-to-late-stage piano piece by Lippi Di, whose first series was completed in the 1980s. The music image of each Etudes is very distinct and individual. One of the most important factors - compound multi-rhythm, comes from African music, mechanical piano, chaos theory, composite rhythm (three pairs of rhythms), plus the United States and other aspects of Mulan music. A large number of complex rhythms on the player’s playing technical requirements are quite high. This article focuses on the use and performance of the compound rhythm in the piano practice written by Lee Getty in the 1980s and 1990s.