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圣智者言,仁者乐山,智者乐水,言下之意山水关乎性情,仁之于山,智之于水的共鸣,既是纳山入仁、纳水入智,又是化仁入山,化智入水,二者都别有番境界,难怪古往今来感造化之工乐山水不疲者、兴人力之劳假山水自如者比肩继踵,以求眼底之山水与胸中之丘壑相与为(?)清代施闰章处其中 施闰章作《就亭记》类似欧阳修作《醉翁亭记》,其名在亭,其意则在山水。虽说施闰章以议论开篇,道人向往的兼有“地有乐乎游观,事不烦乎人力”引人瞩目、但行文交代建亭原由、亭处地势并没有跳出传统的记述格局,好在他同时袒露胸襟,使记述之初就与
The people of Sanchi said, the benefactors of Leshan, and the wise men of Yueshui, the meaning of the meaning of the mountains and lakes is related to temperament, the benevolence is in the mountains, and the wisdom is in the resonance of the water. It is not only Nasan who enters benevolence, Nashui who enters wisdom, but also Huaren who enters the mountains and turns into wisdom. Both have their own realms. It’s no wonder that the ancient and modern landscapes of the artists and people who are enjoying their work and landscapes are as happy as they are. Shi Lang Zhang Shi Shi Zhang Zuo’s “Ji Ting Ji” is similar to Ouyang Xiu’s “Drunkard Pavilion”, its name is in the pavilion, its meaning is in the landscape. Although Shi Langzhang started with the discussion, the Taoist people longed for the “landscaped with pleasant views and no troubles with human beings”. However, the written description of the reason and the location of the pavilion did not jump out of the traditional description format. Fortunately, he At the same time, it reveals the beginning of the narrative.