物象原理,以物的存在特质构成的组织框架和指定内容,由于其核心特质的差异造成“物”的形态表象不尽相同,也在人们的视觉和认知经验中,沉淀包罗万象的定式结果。由于艺术介入,“物”的科学裁定原则发生漂移,而“象”的感知也产生连动的非物理因素的情感嬗变。此时,物在象中还是象在物外,均出现几乎难觅标准的判断疑惑。这种疑惑,无意对抗科学的慎密严谨,却有意摇撼人们的带有惯性的情感思维依赖, Due to the difference of its core traits, the appearance of objects and the appearance of objects are not the same, but also the all-encompassing stereotypes of people’s visual and cognitive experience result. Due to the intervention of art, the principle of scientific ruling of “things” drifts, and the perception of “like ” also produces the non-physical emotional transition. At this point, the object in the image or outside the object, there are almost impossible to find the standard judgment doubt. This kind of doubts, unintentionally confronting the rigorous rigor of science, but intends to shake people’s emotional thinking with inertia rely on,