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处于社会转型期的中国民间舞,经过20世纪80年代和90年代剧烈的社会变革以及经济发展,其计划经济时代中国传统民间艺术的主体地位已经受到了严重挑战。本文从艺术创作理念注入现代意识和艺术载体多元化两个方面小议中国民间舞的现代复兴之路。一、中国民间舞的艺术创作理念需要注入现代意识中国民间舞正随着其它艺术类型一起从工具论转向本体论, 走出实用价值而追求纯艺术的审美意境,即从舞蹈在计划经济时
In the period of social transformation, Chinese folk dance has experienced severe challenges to the dominant position of Chinese traditional folk art in the era of planned economy through the dramatic social changes and economic development in the 1980s and 1990s. This article tries to discuss the way of modern rejuvenation of Chinese folk dances from two aspects: the artistic creation concept, the modern consciousness and the diversified artistic carrier. First, the concept of artistic creation of Chinese folk dance needs to inject modern consciousness Chinese folk dance is moving from the tool theory to the ontology along with other art genres, and goes beyond the practical value to pursue the aesthetic artistic conception of pure art, that is, from the dance in the planned economy