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本文以在泰特利物浦美术馆举办的“艺术左转:1789-2013年的价值观转变”和在曼彻斯特美术馆举办的“固体终将化为气体”这两个展览为例,探讨了艺术和左翼政治之间的关系,进而质疑了视觉文化中政治扮演的角色,以及在21世纪的政治中视觉文化的作用。最终,作者站在西方中心主义的立场上倡导了如下策略:应该吸收来自东方、南美或非洲等“边缘”地区的艺术范例来使西方艺术在自己的文化中保持原有的活力。
In this paper, the two exhibitions entitled “Art Left Turn: Values Transformation from 1789 to 2013” held at the Tate Liverpool Art Museum and the exhibition “Towards the End of the World” will be held at the Manchester Art Museum. The relationship between art and left-wing politics, in turn, questions the role of politics in visual culture and the role of visual culture in politics in the 21st century. Finally, on the basis of Western-centrism, the author advocated the following tactics: The art paradigm in the “periphery” of East, South America or Africa should be absorbed to keep Western art alive in its own culture.