论文部分内容阅读
本文运用审美人类学的研究方法,结合田野调查,以全国仅有的以民歌为节庆的广西南宁国际民歌艺术节为例,具体剖析民歌现代发展中呈现的文化认同危机问题,尝试以对此问题的探讨能在民族文化的传承方面得到有意义的启示。
This article uses the research methods of aesthetic anthropology and the fieldwork to take the Nanning International Folk Song and Arts Festival which is the only folk song in China as an example to analyze the crisis of cultural identity crisis in the modern development of folk songs in detail. The discussion can obtain meaningful enlightenment in the inheritance of national culture.