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本人习印自秦汉入手,近年沉浸于古玺、瓦当、铜镜、简牍、唐宋官印……,以期开阔眼界、广采博撷,得其文字高古、章法空灵、气韵之生动……近期作品基本上以古玺形式出之,用字间或玺文、金文等,力求字随印化,和谐统一,通过文字的变化、运用追寻章法上奇异生动、空灵自然的表现力,同时在刀法上表现线条劲健朴厚、见刀见笔的艺术效果。篆刻创作中技法的锤炼与艺术情感的释放始终融为一体,技法通过字法(通究古篆、临池善用)、章法(领
I personally study India from the Qin and Han started in recent years immersed in the ancient seal, Watanabe, bronze mirror, Jane 牍, Tang and Song official seal ... ... in order to broaden their horizons, broad mining Bo pick, get its text ancient, chapter ethereal, elegant and vivid. Recent works are basically in the form of ancient seals, with the words of the seal, Jinwen, etc., and strive to print with the word, harmony and unity, through the text changes, the use of chase chapter strange, vivid, ethereal natural expression, Knife method on the performance of strong fresh Park thick, see the pen to see the artistic effect. The technique of the seal cutting and the release of artistic emotion always blend, techniques through the lettering (study of ancient seal, Lin Chi use), Chapter (collar