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我之所以用“新乡愁”来评价《延河》在2014岁末,以整整5个页码重磅推出的阎晋的新作《秋天的十四行》,是因为无论从流淌在作品中的情绪波流,还是诗人为实现审美表达而撷取的多彩意象;无论从作品所承载的人文哲思还是诗人为放飞主体想象而选择的“寓言”式语境,都使得他的诗走出了古代士人“故园东望路漫漫,双袖龙钟泪不干”、“何当共剪西窗烛,却话巴山夜雨时”的生理漂泊,走出了余光中那种被历史因素阻隔的情感愁绪。在人学意义上,
The reason why I used “Xinxiang Melancholy” to evaluate “Yanhe” at the end of 2014 is that Yan Jin’s new book “The 14th of Autumn”, launched in full page weight of 5, is because no matter from flowing in the works Or the colorful images captured by the poets in order to realize the aesthetic expression. All of his poems, whether from the humanistic philosophies carried by the works or the poet’s “allegory” -style context chosen by the main body to fly, Out of the ancient scholar “Hometown East look long, Shuangqiu Longzhong tears do not dry ”, "When a total cut West window candle, Emotional melancholy that is blocked by history. In human sense,