论文部分内容阅读
看毕《老井》后冷静思索,就会有一个惊奇的发现。发现吴天明甚至西影厂又向中国的电影观众奉送了一种新的电影模式,这里我们权且称之为“吴天明模式”。这种模式应这样来排列:偏僻落后的西部某农村+人们渴望现代文明+三角恋爱+滞重缓慢的节奏。这在《人生》、《野山》、《老井》三部为西影厂崛起作出重要贡献的影片中表现得十分清晰。作一有趣的比较,三部影片相似之处到处可见。这就无形中暴露出了一个严峻的问题,西影厂危机在伏!《老井》把“西部片”推向了一个高潮,同时
After reading the “old well” calm thinking, there will be a surprise discovery. It was discovered that Wu Tianming and even the West Film Studio offered a new movie mode to Chinese moviegoers. Here we call it “Wu Tianming mode.” This pattern should be arranged in this way: a remote rural areas in western + people desire modern civilization + love triangle + slow and slow pace. This is very clear in the films “Life,” “Wild Mountain,” and “Old Well” that made important contributions to the rise of the West Film Studio. For a fun comparison, the similarities of the three films are everywhere. This virtually exposed a serious problem, West Film Factory crisis in V !, “Old Well” to “Western” to a climax, at the same time