理想色彩是“十七年”乡村题材小说的重要特征之一,对此,人们大多予以否定性认识。然而我以为,这些理想普遍蕴含着作家对乡村美好未来的真诚期待,也大多代表了乡村的真实要求,可以看作是乡村主体精神的张扬。当然,它的内涵和表述上也羼杂了一些外在因素的影响,受时代政治的局限较多,并存在着阶段性和个人性的差异,但它具有自己的独特思想和审美价值,特别是从新文学史乃至整个中国文学历史来看,这一理想富有创造性价值,值得我们重新认识和评价。 Ideal color is one of the most important characteristics of “seventeen years” rural novels, and people mostly negate the recognition. However, I think these ideals generally contain the sincerely expectation of the writers on the beautiful future of the country, and most of them also represent the real demands of the country. They can be regarded as the propaganda of the spirit of the village itself. Of course, its connotation and expression are also mixed with some external factors. Due to the limitation of the politics of the times, there are some differences between phases and individuals. However, it has its own unique ideology and aesthetic value, especially It is from the history of new literature and even the whole history of Chinese literature that this idea is full of creative value and deserves our re-understanding and evaluation.