最近一阶段,不知怎的;喜剧片专找相声演员成风,大有愈演愈烈之势,一发而不可收拾。不是么?《回来吧,微笑》、《京都球侠》、《男人的世界》、《笑破情网》、《业余警察》等等,一部接一部至今没断。说句心里话,有的喜剧片这么作是必要的,比如《京都球侠》,集武打、闹剧、正剧于一炉,需要一批表演喜剧内容的专门人员出场,适当请几位曲坛明星也未尝不可。但有的电影,剧本本身无多少笑料可挖,仅在主人公性格矛盾与社会现象冲突中硬挤噱头,就太不高明了。如《业余警察》,男主人公念道白,真象演相声抖包袱,不象是拍电影,实在生硬。周围角色则一本正经,协调不起来,无怪乎看时影院有不少人退场。《回来吧,微 The most recent stage, somehow; comic comic crosstalk actor into the wind, a lot of the trend intensified, a hair out of hand and out of control. Is not it? “Come back, smile”, “Kyoto ball”, “man’s world”, “laughter”, “amateur police” and so on, one after another has been interrupted. To tell the truth, and some comedy such as is necessary, such as “Kyoto ball”, martial arts fight, farce, is in a furnace, the need for a group of comedy show specialists, appropriate, please call a few stars Also not bad. However, there are some movies and scripts that do not have much to do with jokes, and it is not clear that only the gimmicks are stifled in the conflicts between the hero’s personality and social phenomena. Such as “amateur police”, the heroine read the truth, really like shaking the burden of audio-visual, not like a movie, it is blunt. The surrounding characters are serious, can not be coordinated, no wonder watching a movie when many people exit. "Come back, micro