主观表现不仅是现代主义中重要的艺术倾向,也是延绵不绝的艺术流派。在当代绘画中,不论是德国新表现(Nourelle Expressionisme)、意大利超前卫(Trans—Avantgarde),还是法国新形象(Nourelle Figuration)、英国新精神(New Spirit)、美国新意象(New Image),等等,都带有明显的表现主义倾向。事实上,表现主义在法国现代绘画中兴起之后,已经经历过两次地域性的扩散:一次是“哥布阿画派”在北欧国家中,另一次是在第三世界国家中。在这两次地域性扩散中,表现主义纳入地方特色、历史文化和地缘经验,纳入原始主义、民间资源和稚拙 Subjective expression is not only an important artistic trend in modernism, but also an endless stream of art schools. In contemporary painting, both the Nourelle Expressionisme, the Trans-Avantgarde, the Nourelle Figuration, the New Spirit, the New Image, etc. Etc., all have a clear expressionist tendency. In fact, after the emergence of modernism in modern French painting, Expressionism has experienced two geographical spreads: once in the Nordic countries and once in the Third World countries. In these two regional proliferations, Expressionism incorporates local characteristics, history, culture and geopolitical experiences into originalism, private resources and childishness