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话剧艺术在近现代中国萌生、发展经历了漫长曲折的过程。话剧导演艺术也在这个漫长的过程中潜滋暗长,从最初与话剧艺术保持一种附着性关系的导演先驱者,到为现代话剧导演艺术的诞生做出不同贡献的早期导演者,这里面包含了许多成功的经验和失败的教训。20世纪20年代,张彭春和洪深分别在北方和南方建立起了以导演为中心的现实主义演剧体制,使中国话剧彻底摆脱了文明戏的羁绊,更加贴近生活,反映中国人的现实生活和情感内容,在舞台演出的艺术风格上达到真正的和谐统一。
Drama art in the modern China initiation, development has experienced a long twists and turns of the process. Drama director art is also a long process of submarine AIDS, from the initial relationship with the theater art to maintain a pioneering relationship between the directors to the director of modern drama director made a different contribution to the early director, Contains many successful experiences and lessons of failure. In the 1920s, Zhang Pengchun and Hong Shen respectively established a realistic theater-directed system focusing on the director in the north and the south. They completely rid themselves of the fetters of civilized drama and move closer to life to reflect the realities of the Chinese people. Emotional content, artistic style in the stage to achieve true harmony and unity.