我在《伟大的兄长卡夫卡》一文中提出了“叙述场”这个概念,读完了秘鲁作家巴尔加斯·略萨的《情爱笔记》,我又想起了它。同时,我还想起了我曾经提出过的一个诗学主张,即真正的艺术都要在形而上和形而下之间建立一种平衡关系。形而下仰望形而上获得精神性的滋养,形而上俯瞰形而下获得有意味的形式。平衡关系可以是和谐的,也可以是不和谐的或者是各种力量的较量。现在我要作一个补充,把叙述场放在形而上和形而下之间,放在上帝与事物或事态之间,像把穿透云端、突如其来的一群飞鸟 I put forward the concept of “narrative field” in my article “The Great Brother Kafka.” After reading the “Love Notes” of Peruvian writer Vargas Llosa, I remembered it. At the same time, I also remembered a poetic proposition I had proposed that the real art should establish a balance between metaphysics and metaphysics. Looking down from the metaphysical to obtain the spirit of nourishment, metaphysical overlooking the metaphysical obtained meaningful form. Balanced relations can be harmonious, it can be discordant or a contest of various forces. Now I want to make a supplement to put the narrative field between metaphysics and metaphysics, between God and things or events, like a group of birds that suddenly penetrate the clouds