就当代美术领域而言,我的感觉是只有艺术家而无艺术,倘若有“真”的艺术,也不可能在当代产生巨大影响。要判断一个时代是否有真的艺术与艺术家,方法其实很简单,如爱因斯坦所说:“一个人把自己的内在追求同他的生计尽可能分割开来,是最好不过的事情。如果一个人每天的面包得靠上帝的特别赐予,那可不是好事。”以此而论,当代的美术创作基本上是在即时性,浅表性的层次上作用于社会的。“文革”结束的伤痕美术是对“文革”期间政治功利美术的反判,紧接着80年代,各种美术思潮则很表面、很急促地将欧美美术流派样武与本土民间乡土的样式模仿了一遍,当然也就谈不上什么成就;再接下来的十多年行政化和商品化的美术创作,可以说它们都不是真正意义上的艺术创作。在此背景下,美术界成为另外人羡慕的行业之一,成为角逐十分激烈的巨大名利场。中国现时的美术家有多少?按照中国美协 As far as the field of contemporary art is concerned, my feeling is that there is only artist without art, and it is impossible for art with true meaning to have a huge impact in the contemporary era. To judge whether or not there is a true art and artist in an era, the method is actually quite simple. As Einstein put it: “It is best for a person to separate his internal pursuit from his own livelihood as much as possible. It is not a good thing if one’s bread is to be specially given by God. ”In this sense, contemporary art creation basically acts on the society at an immediate and superficial level. Scar Art finished at the Cultural Revolution was the antithesis of political utilitarian art during the Cultural Revolution and the various art trends of thought were superficially apparent in the 1980s. Of course, imitate it again, of course, can not talk about what achievements; then the next decade of administrative and commercial art creation, we can say that they are not true artistic creation. In this context, the art world has become one of the envy of others, become a huge fame and fortune. What is the current number of artists in China? According to the China Artists Association