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在以往的建筑创作思想中,建筑空间从中心性过渡到匀质性,进而到流动性。而设计时的基础性思维更多的是水平维度的,这一点造就了竖向维度的空间意识的失衡。本文从建筑空间的发展沿革谈起,从水平维度的流动空间过渡到竖向维度的空间连续,首先对建筑空间竖向连续的设计手法探讨,进而以设计手法中的“秩序”为切入点,展开对设计手法中所蕴含文化内涵的思考,以期对当代建筑创作的竖向维度思维及本土文化内涵的多元化表达提供启发。
In the past thought of architectural creation, architectural space from the central transition to homogeneity, and then to mobility. The design of the basic thinking is more horizontal dimension, which created a vertical dimension of the spatial awareness of the imbalance. This article starts from the evolution of the architectural space, and moves from the horizontal dimension of the flow space to the vertical dimension of the space. First of all, it discusses the vertical and vertical design methods of architectural space, and then the “order” in the design approach Point out the thinking of the cultural connotation contained in the design method, with a view to inspire the vertical dimension of contemporary architectural creations and the diversified expression of local cultural connotation.