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从诗歌发展的历史来看,经过对唐诗的因革创变,宋诗大成于北宋中期。一般提到唐音宋调,所谓‘宋调’多半让人想到苏轼、黄庭坚为代表的北宋诗歌。靖康之变后,与南宋并立一百多年的金人自认承接“苏学”正统,对南宋诗歌颇不以为然。后人看南宋诗,则无论是以时代论、或是以风格论,仍将之归属于宋调范畴。不过南宋政权与北宋一脉相承,诗歌究竟是墨守家法还是力图突破?是后出转精还是每况愈下?定位南宋诗歌尚需一番辨析。
From the history of the development of poetry, after the revolution of the Tang poetry, Great Song of Song Dynasty in the middle of the Northern Song Dynasty. Generally referred to the Tang sound of Song, the so-called ’Song tune’ most people think of Su Shi, Huang Ting-jian, represented by the North Song poetry. After the change of Jingkang, the Jin people, who had been in juxtaposition with the Southern Song Dynasty for more than 100 years, considered themselves as “orthodox” subjects of the Southern Song Dynasty and disagreed with the poems of the Southern Song Dynasty. Descendants of the Southern Song Dynasty poetry, both in the theory of the times, or style theory, will still be attributed to the scope of Song tune. However, the regime of the Southern Song Dynasty and the Northern Song Dynasty the same strain, whether the poem is Mo Shoujiaocuo or trying to break? Is the post-transfer fine or deteriorating? Positioning Southern Song poetry still need some analysis.