对属于视觉艺术范围的中国画的认知与读解,并不是只采取一种解读方式所能奏效的。由于承载着太多的文化与对该文化的多种阐释方式,因此在当今中国画的研究中就不得不跨越学科对其进行立体式的触摸与切入。作为一个严密而复杂的系统,中国画的构成符号具有了系统科学之涌现现象的特点——整体大于部分之和。所以在面对当代中国画呈现多种尝试之后的“样态”时,运用多学科综合与深入地对局部元素的合成所进发的现象进行探究不失为一种新的视角与方法。 The cognition and interpretation of Chinese paintings belonging to the scope of visual arts can not be achieved by adopting only one way of reading. Because of carrying too much culture and multiple interpretations of the culture, so in the study of Chinese painting, it has to cross-disciplinary to three-dimensional touch and cut. As a close and complicated system, the symbols of the Chinese painting have the characteristics of emerging phenomenon of the systematic science - the whole is greater than the sum of the parts. Therefore, it is a new perspective and method to use multidisciplinary synthesis and in-depth exploration of the phenomenon of the synthesis of local elements in the face of the “state” of contemporary Chinese painting after various attempts.