艺术评论:秦蓁的油画图像显然既不是典型的写实绘画,也不是抽象绘画,她的作品游离在这二者之间,她在铺陈色彩时,尽量放弃固有的写实概念,同时也放弃对照片的写生,一任性情和情绪宣泄于画布之上,颜色在她眼里是有机物体,透明、完美、诱人、生动,这有点像中国画的大写意,“大胆落笔,细心收拾”。但秦蓁的中场收拾不是完形,不是让意图更加明确,更加通俗易懂,她的收拾像外科手术,是切割、刮骨、折叠,然后重组画面的空间关系和造型体系。观者阅渎 Art commentary: Qin Ying’s oil painting images are obviously neither a typical realistic painting nor an abstract painting. Her works are detached from each other. When she tries to dazzle her paintings, she abandons the inherent concept of realism and gives up her photograph The painting is a kind of organic, transparent, perfect, seductive and vivid color. It is a bit like the freehand brushwork of Chinese painting. However, Qin Mi’s midfielder pack is not over-shaped, not to make the intent clearer and more understandable. Her clean-up like surgery is cutting, scraping, folding, and reorganizing the spatial relationship of the picture and modeling system. Viewers read ditch