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我国公共艺术的衍生与发展,迄今已经历20多年。伴随公共艺术当中城市雕塑的突起,从事城市雕塑的创作人员及队伍日益壮大,各地耸立起的雕塑水准也都参差不齐,这其中有多方面的原因。为了更加以严谨和对社会负责的心态完成每一项工程,雕塑家张宇桐先生有他自己一些认识和实践。我刊将就《长恨歌》分期刊发,期望对从事城市雕塑创作的同行及管理者提供借鉴。
The derivation and development of public art in our country has been going through more than 20 years. Accompanied by the rise of urban sculpture in public art, the crews and teams engaged in urban sculptures are getting stronger and stronger, and the sculptures standing up everywhere are also uneven. There are many reasons for this. In order to be more rigorous and socially responsible attitude to complete each project, the sculptor Mr. Zhang Yutong have some knowledge and practice himself. I will be published on the “Everlasting Regret,” published in phases, looking forward to the creation of urban sculpture counterparts and managers to provide reference.