“风”在新石器时期受到原始人类神秘性和具象性思维的影响,在甲骨文中借“凤”来表示,在进入《易》后,通过无形而无所不至、阴阳对立、风行不止、风行水上等意象发展出“入”、自然成文等含义。经过上述流变所形成的“风”的语义链作为基础和源泉累积在了“风”的美学内蕴中,在魏晋时期作为人物品评的术语成为独立的美学范畴。 In the Neolithic period, the “wind” was influenced by primitive human mysteries and figurative thinking. It was borrowed from “Feng” in Oracle to show that after entering the “Yi” , Popular water and other images developed “into ”, the natural meaning of writing. The semantic chain of “Feng ” formed by the above rheology accumulates in the aesthetic connotation of “wind ” as the foundation and source, and becomes the independent category of aesthetics in the Wei and Jin Dynasties.