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我们今天所处的世界,已经跨入 了一个崭新的历史阶段,在这个由人类 智慧筑起的文明世界里,迅猛发展的高 科技浪潮对传统的生存方式和思维方式 构成了巨大的冲击,各个学科之间思维 方式的界限也变得模糊和淡化。艺术、 哲学、科学、社会等方面相互交融,相 互穿插,形成新的思想观念和思维模 式,使当代绘画艺术步入了最大限度 的自律,绘画艺术获得了空前的解放, 远离了人们的传统审美习惯,从而获得 了巨大创作潜能。相对东西方绘画艺术 而言,当代艺术家对绘画艺术诸要素及 本质的研究更具同构性而日趋秩序化。 探讨东西方绘画形式语言的基本要素及 本质特性的同构性,有助于我们在当今 绘画艺术创作活动中获得多种表现形式 与更大创作空间的可能性。
The world we live in today has entered a brand new historical stage. In this civilized world built up by human wisdom, the rapidly developing wave of high technology has had a huge impact on the traditional ways of living and thinking The boundaries between disciplinary ways of thinking have also become blurred and diluted. Art, philosophy, science, society and other aspects of intercourse, interspersed with each other, the formation of new ideas and modes of thinking, the contemporary art of painting into the maximum self-discipline, painting art has been an unprecedented emancipation away from people’s traditional aesthetic Habit, thus gaining great creative potential. Compared with Eastern and Western painting art, contemporary artists are more homogeneous and increasingly orderly in their study of the various elements and essences of painting art. To explore the basic elements and the isomorphism of the essential features of the formal languages of Eastern and Western paintings helps us to obtain more possibilities of expression and more creative space in the creative activities of contemporary painting.