在中国古典文学作品中,有一类作品较为独特,却屡见不鲜,即“女扮男装”。这些女主人公或被逼,或自愿,需要走进公众的视野或成就功名。但因古代封建思想的束缚,她们又必须靠女扮男装掩饰自己的身份,通过利用男装的身份,展开对自我意识、个性解放、男女平等的追求;换装后,无论战场、官场、商场,她们都春风得意;在功成名就之后,她们或换回女装,或就男装身份伴其一身,或幸福,或不幸,结局多样。这些女扮男装的故事流传广泛,而女扮男装的艺术形象至今闪耀着光辉,影响着后世女性的思想解放。 Among the classical Chinese literary works, one type of work is more unique, but not uncommon, that is, “disguise as men”. These heroines, either forced or voluntary, need to walk into the public’s eye or achievement. However, because of the shackles of ancient feudalism, they must hide their identities by disguising men as men and pursue the pursuit of self-awareness, liberation of personality and equality between men and women by using the identity of men’s clothing. After the dress up, no matter the battlefield, officialdom, They are breezy; after their fame, they are either returned to the women’s clothing, or as a men’s clothing with one, or happiness, or misfortune, the outcome varied. These women disguised as men’s story spread widely, while the disguise of men’s artistic image has shone with glory, affecting future generations of women’s liberation.