十九世纪中叶以后的德国文坛,由于再没有席勒、歌德、海涅等巨人的驰骋,显然是冷寂得多了。冯达诺和曼氏兄弟的宏篇还未出现,“青年德意志派”的诗人们多已颓唐,但德国的浪漫美学传统没有湮灭,歌德开创的古典文学的余绪还时时发出闪光。保尔·海泽就是在这时开始他的文学活动,《特雷庇姑娘》是他的代表作之一。 The German literary world after the middle of the nineteenth century was apparently even more silent due to the absence of such giants as Schiller, Goethe and Heine. The great articles by Feng Dano and the Man Brothers have not yet appeared. Many of the poets of the Young German School have become discredited. However, the tradition of romantic aesthetics in Germany was not annihilated. The greetings of classical literature created by Goethe also shone with time. It was at this time that Paul Heizer started his literary activities, and “Treasurer” was one of his masterpieces.