论文部分内容阅读
在中华民族几千年的历史文化长河中,“乐”与“诗”未曾从“你中有我,我中有你”的熔融关系中剥离过。它们逐着天下事分久必合、合久必分的发展规律,在这个浮浮沉沉的漫长进化过程中丰满彼此的羽翼,丰富彼此的艺术魅力。纵观中国诗乐的千年流变,从先秦琴歌——汉唐乐府——魏晋清商——宋词元曲——古诗词歌,知其不论以何种外在形式变化,依然葆有一脉相承的联系。在这个过程中,其中的一部分被传承了下来;另一部分被加入新的元素(新的诗文样式或新的音乐材料),并进行重整结合。笔者循着“乐”与“诗”各历史时期的发展轨迹,意以下文对二者的分合渊源及关系进行逐一阐述。
In the long history and culture of the Chinese nation for thousands of years, “Le ” and “Poetry ” have not been peeled off from the melting relationship of “You have me, I have you ”. In the course of this long, gradual evolution, they will plump each other’s wings and enrich each other’s artistic charm. Throughout the millennium of Chinese poetry and music, from the Qin music - the Han and Tang Dynasties - Wei and Jin Qing - Song Ci Yuan - the poetry of ancient poetry, regardless of its external form of change, still maintain the same strain of contact . In the process, part of it was inherited; the other part was added with new elements (new poetic style or new musical material) and reorganized. Following the development track of each period of “music” and “poem ”, the author intends to elaborate on the origin and relationship between the two separately.