凌叔华强调文学的独立性,主张表现普遍的人性,倡导健全的文学,她的文学思想带有鲜明的自由主义色彩。她的自由主义文学思想,一方面源于文人画崇尚艺术本体价值的审美观念,也与她所处的自由主义文人群体的影响密切相关。从《女儿身世太凄凉》到《花之寺》《女人》《小哥儿俩》,这些作品见证了凌叔华文学思想的演变、发展。 Ling Shuhua emphasizes the independence of literature, advocates universal humanity and advocates sound literature. Her literary thinking has a distinctive liberalism. Her liberal literary thoughts, on the one hand, originated from the aesthetic concepts of literati painting advocating the value of the artistic noumenon and also closely related to the influence of liberal literati groups in which she lives. From “Daughter’s life is too sad” to “Temple of Flowers”, “Woman” and “Little Brother and Two”, these works have witnessed the evolution and development of Ling Shuhua’s literary thoughts.