“七十年代后”的城市“另类”写作并非是叙写“纯个人”的个人体验。该文以文化批评的方法介入文本 ,通过分析作为景观的“身体”、性、欲望与色情、城市与酒吧、亚文化等 ,证实个人体验是现实环境的产物 ,“身体”植根于文化和历史中 ,“性”是社会关系的场域 ,进而说明这些作品是社会变化的副产品 ,是浮华幻景中花哨的点缀。 The “alternative” writing of the city after the seventies is not a personal experience of describing “purely personal”. The article uses the method of cultural criticism to intervene in the text and confirms that personal experience is the product of the real environment through the analysis of “body”, sex, desire and eroticism, city and bar, and subculture of the landscape. The “body” is rooted in the cultural and In history, “sex” is a field of social relations, and thus shows that these works are by-products of social changes and are fancy embellishments in flashy illusions.