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前年,我给澳大利亚邮寄了一些海报,这些海报将在一个大型的展览——学生国际会议“93理想”上展出。后来我飞往墨尔本,当我走进世界议会大厦这个巨大的现代化宫殿的大门时,突然地停下了脚步,只见组织这个展览的学生们用传统的方法把作品简单、幼稚地悬挂着,一点儿都不突出主题,然而它们猛然间给我的一个共同印象是:红、黑和白。 红色当然占有支配地位,在带有旗帜和领导人画像的苏联海报上。红和黑是改革时期海报的主要色彩,还有揭露了这些领导人行为的“黑色”。具有鲜明对比的黑与白是逃避政治责任的设计师们作品的特点。因为学生们把海报混在了一起,因此这些元素相互加强了,也就使它们越发突出,一种强大的红、黑、白的色彩旋律就产生了。
Two years ago I sent posters to Australia and the posters will be on display at a large international exhibition entitled “93 Ideal”. When I flew to Melbourne then, as I walked through the door to the huge modern palace of the World Parliament Building, I suddenly stopped and I saw that the students who organized the exhibition hung the work simply and naively in the traditional way, They did not highlight the subject at all, but one of the common impressions they gave me was: red, black and white. Of course, red dominates the Soviet poster with flags and leaders’ portraits. Red and black are the main colors of posters during the reform period, as well as the “blackness” exposing the behavior of these leaders. Black and white in stark contrast are features of the work of designers who evaded political responsibility. Because students mix posters, so these elements reinforce each other, it makes them more prominent, a powerful red, black and white color melody was born.