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蒲华(1832-1911),字作英,原名成,初字作英,秀水(今浙江嘉兴人)。别号胥山野史、种竹道人。书斋名芙蓉庵、九琴十砚楼。十九世纪末二十世纪初,是中国近代美术史上最重要的一个画派——海上画派叱咤风云的时代。这个画派起着中国画史上承前启后的重大作用,是中国画向现代形态演进的最重要的一个环节。当时上海是中国率先进入现代——商业社会的城市。在这样的环境里,几乎一切文化与文化人都在向市场向商业转型。商业给艺术与艺术家带来了地位与财富的同时,也让他们付出了传统文人与文人画的清高与阳春白雪。他们在市场与商业化这柄双刃剑
Pu Hua (1832-1911), the word for the British, formerly known as, early words for the British, Xiushui (now Jiaxing, Zhejiang). Xushan Uyama history, species of bamboo Taoist. Book name Furong Um, nine piano ten stone floor. From the late nineteenth century to the early twentieth century, it was the most important school of painting in the history of modern Chinese art - the era of all-powerful painting by the sea school. This painting plays a significant role in the history of Chinese painting and is the most important aspect of the evolution of Chinese painting to the modern form. At that time, Shanghai was the first city in China to enter the modern-commercial society. In such an environment, almost all people of culture and culture are turning to the market for commercial transformation. While commerce has brought status and wealth to art and artists, it has also enabled them to pay attention to the high and the youth of traditional literati and literati painting. They are double-edged sword in the market and commercialization