本文结合原型理论、生命哲学以及文学人类学对印欧人死亡观的考证,从劳伦斯的小说《骑马出走的女人》构成中主观和客观层面来评析其神话化的必然趋势和将主人公推向“向着死亡的存在”的哲学上的和原型的力量,并揭示原型与故事主题宰制下自然主义手法的融合以及对它的超越。 This article combines the prototype theory, life philosophy and literature anthropology to the research on the death of Indo-Europeans. From Lawrence’s novel The Riding-out Woman, it constructs subjective and objective aspects to analyze the inevitable trend of its myth and to push the protagonist to The philosophical and archetypal strength of “Being toward death” and revealing the fusion of naturalist approaches to and the transcendence of the prototype and the theme of the story.