十一年前,“大陆新武侠”的概念横空出世,继“港台武侠”之后,为武侠创作拓展了更多可能。时至今日,越来越多的作者加入其中。武侠不再仅仅是身着长袍的大侠手持宝剑以一敌百,亦或者是侠客振臂一呼惩奸除恶。新时代的元素被作者们以巧妙的角度融合进了武侠的世界,但并未让其喧宾夺主,文章依旧保持着那份让我们热血、激动、感慨的武侠内核。本期三剑客的三位作家小椴、羽爻、三月初七,一直在探索“传统武侠”之外的世界。在小椴笔下,武侠小说也是幻想类文学的一种,是思想与肢体行为达到融合的突破感与冲击感;而羽爻则坚信,无论时代如何变迁,传统中华 Eleven years ago, the concept of “new martial arts in mainland China” was born. After “martial arts in Hong Kong and Taiwan”, the concept of “new martial arts in mainland China” was expanded to more possibilities for martial arts creation. To date, more and more authors have joined. Martial arts is no longer just a heroes in robes holding a sword with a hundred or one, or a crutch rushed to punish evil. Elements of a new era by the authors to cleverly integrated into the martial arts world, but did not let it overwhelming, the article still retains that share our blood, excitement, emotion martial arts kernel. Three writers of the current Three Musketeers linden, feathers, March seven, has been exploring the “traditional martial arts ” outside the world. In the little linzi, the martial arts novel is also a kind of fantasy literature, which is the sense of breakthrough and impact that the thought and the body act to achieve the fusion; while the feather is convinced that no matter how the times change, the traditional Chinese