中国历代画牡丹的人很多,大家也不少。然而,不论是细腻湿润的工笔,亦或慷慨潇洒遵劲雄浑的写意,看来看去,总有那么股子千人一枝,万人一花的雷同感。曹明冉则不然。他笔下的牡丹既非工笔,也非写意;有工笔的细腻,又有写意的神韵。那些看似刻意营造,实乃心随笔到的生动灵性、疏密 There are many Chinese people who painted peonies in ancient times, and many of them are not different. However, no matter it is delicate and delicate, it can also be used in generous carefree and carefree manner. It seems that there are always thousands of people and thousands of people who share the same feeling. Cao Ming Ran is not. The peony in his works is neither a good work nor a good workbook; it has exquisite workmanship and freehand charm. Those seemingly deliberately created, it is a real spiritual essays to vivid spirituality, density