论文部分内容阅读
本文由副文本目录的变迁系统梳理了20世纪中国现当代文学史著修辞构筑的嬗变历程,指出贯穿其中的主线为革命性导向与文学性导向的此消彼长。在此基础上总结出现当代文学史构筑中的修辞策略,具体包括三种布局策略(收官式、主体式与开端式)、两种阐述策略(主观论证型与客观记述型)及五种视点策略(作家视点、事件视点、文体视点、地域视点与时段视点)。指出文学史修辞构筑中尚缺乏语言学视角,由此探索20世纪中国文学史另一种叙事的可能。
This paper systematically reviews the transmutation of rhetorical structure in the history of modern and contemporary Chinese literature in the 20th century from the perspective of the vicissitudes of the subtexts, and points out that the main thread running through it is the reversal of revolutionary orientation and literary orientation. On the basis of this, I summarize the rhetorical strategies in the construction of the contemporary literature history, including three kinds of layout strategies (ending, subject and beginning), two elaboration strategies (subjective and objective) and five perspectives Strategy (writer’s point of view, event point of view, stylistic point of view, geographical point of view and time horizon point of view). It is pointed out that there is a lack of linguistic perspective in the construction of rhetoric of literary history, so as to explore the possibility of another narration of the history of Chinese literature in the 20th century.