论文部分内容阅读
南非黑人作家路易斯·恩科西的小说《求欢鸟》内涵深刻,寓意丰富。自出版后一直备受评论界的关注和争议。在路易斯·恩科西笔下白人的文化霸权与话语权呈现了黑人这个终极的“他者”。福柯的话语理论为探讨《求欢鸟》中白人与黑人之间的殖民与被殖民,主流与非主流,中心主义和边缘化的冲突和隔阂提供了理论基础。本文结合后殖民和福柯的话语理论,从后殖民和话语理论视角,探讨《求欢鸟》中展现的殖民压迫,种族主义,种族隔离下南非黑人的边缘化和“沉默”的生存状况。
South African black writer Luis Nkosi’s novel “Hailing Bird” has profound connotation and rich meaning. Since its publication has been critics circles concern and controversy. In Luis Nkosi’s writings, the white man’s cultural hegemony and the right to speak show the ultimate “other” of blacks. Foucault’s discourse theory provides the theoretical basis for exploring the conflicts and estrangements between the colonies and colonies between white and black people in Main Street, the mainstream and the non-mainstream, the centrism and the marginalization. Combining the theory of postcolonial and Foucault’s discourse, this paper discusses the colonial oppression, racism and marginalization of South Afrikaans and the existence of “silent” in “Praying Birds” from the perspective of postcolonial and discourse theories. situation.