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本文基于动画式纪录片的艺术实践进行研究。在自传体记忆作品《番茄酱》的创作交流中,作者进行了动画式纪录片的结构实验和符号性探索。动画式纪录片的研究关键在于重新思考其界定,探索其历史。本文在纵向梳理动画式纪录片的发展脉络时,也与东欧国家(捷克、波兰、罗马尼亚等国)此类型作品进行交叉对话,由此探索动画式纪录片如何发掘了记忆的异质性,诸如记忆的味道、色彩、隐喻及结构等,进一步深化了动画式纪录片相关议题的讨论,即在动画与记录孰重孰轻的维度之外,引入了个体记忆与历史叙述的角度。
This article is based on the artistic practice of animated documentary. In the creative communication of “Ketchup”, an autobiographical memory, the author conducts structural experiments and symbolic explorations of animated documentaries. The key point of animation documentary research lies in rethinking its definition and exploring its history. In the context of the vertical development of animated documentary, this essay also crosses dialogues with Eastern European countries (Czech, Polish, Romanian and other countries) to explore how animated documentaries can unravel the heterogeneity of memories such as memory Taste, color, metaphor and structure, deepen the discussion on the related issues of animated documentaries, that is, introducing the perspective of individual memory and historical narration in addition to the emphasis on animation and recording.