本文运用俄国形式主义批评家什克洛夫斯基的“陌生化”理论和新批评理论家艾伦·泰特的“张力”理论解读菲利普·拉金“高楼”一诗,以期深入探讨其中的建筑意象和宗教反讽。首先,本文分析这首诗运用“陌生化”技巧产生的文本张力。然后,结合建筑意象和宗教反讽进一步分析文本的意义张力。最后,本文的结论为:“高楼”一诗在文本形式和意义上是均衡的统一体。 This paper uses the theory of “unfamiliar ” of Russian formalist critic Shklovsky and “tension ” theory of the new critical theorist Alan Tate to interpret Phillip Larkin With a view to in-depth exploration of the architectural imagery and religious irony. First of all, this article analyzes the text tension produced by this poem using the “defamiliarization” technique. Then, combining the architectural image and religious irony to further analyze the meaning and tension of the text. Finally, the conclusion of this paper is: “tall ” a poem in the text form and meaning is a balanced unity.