在以魏晋“二王”笔法和结体为一统的行草艺术发展史中,晚明出现了一个“力矫积习,独标气骨”与主流书法审美标准背道而驰的书家张瑞图。虽然他的行草书让后世褒贬不一,但是笔者从书法史学和艺术审美多元化的角度考察, In the history of the development of art of cursive grass that consisted of the calligraphy and the knot of Wei and Jin dynasties, the late Ming dynasty appeared Zhang Shu-tzu, a booklorger that runs counter to the aesthetic standard of the mainstream calligraphy. . Although his cursive cursors make later and later mixed, but the author from the history of calligraphy and artistic aesthetic diversification point of view,