在马克思主义文艺理论与美学体系之中,意识形态理论是作为灵魂与基石存在的,而意识形态理论作为一般的哲学与社会学原理向文学理论的最终生成,其内在的转换机制必须是经由文学形式,而后形成具有主体性的文艺理论与美学话语。马克思主义经典作家在意识形态论遗产中关于“经济基础与上层建筑”以及“统治阶级的思想是占统治地位的思想”的原理,已经为主要作为民间话语形态存在的文学分析与研究打开了广阔的语言与形式分析空间。在马克思主义经典作家之后,马尔库塞、 In the Marxist theory of literature and art and the system of aesthetics, ideological theory exists as a soul and a cornerstone. Ideological theory, as a general principle of philosophy and sociology, ultimately leads to literary theory. Its intrinsic transformation mechanism must be through literature Form, and then form a subjectivity of literary theory and aesthetic discourse. The principle of Marxist classical writers in the inheritance of ideology on “economic foundation and superstructure” and “the thought of the ruling class is the dominant ideology” has been the main body of literary analysis Research opens up a vast space for linguistic and formal analysis. After the classic Marxist writers, Marcuse,