中国西部电影,在西影人的努力下,曾经在80年代创造过《人生》、《野山》、《红高梁》等家喻户晓的辉煌,从而打造下了国产影片中的知名品牌。然而进入90年代以后,市场的变化,西部电影也如其他国产片一样,苦苦徘徊,缺少力作。近日,由西影拍摄的《美丽的大脚》在一举捧得金鸡奖四项大奖之后登陆古城西安,誉满国产片市场。这是西影进入21世纪后献给观众的第一份厚礼,这也是西影重树西部电影大旗、重新演绎西部电影风格与个性的第一部有份量的作品。在这里,我们似乎已经看到了“新西部片”的希望。在《美丽的大脚》一片中,导演杨亚洲承继了传统西部电影的艺术精神和本质,继续将电影镜头的触角伸向了西部落后、偏远的 Chinese western films, with the hard work of Western filmmakers, once made a well-known brand such as “Life”, “Wild Mountain” and “Red Sorghum” in the 1980s. However, since the 1990s, as the market has changed, the western films have been hovering and lacking in masterpieces, just like other domestic films. Recently, the “beautiful big foot” filmed by the western shadow landed in the ancient city of Xi'an after winning four prizes at one of the Golden Rooster Awards. This is the first gift that West Film has dedicated to the audience since it entered the 21st century. It is also the first piece of film that re-interprets the style and personality of the western film. Here, we seem to have seen the hope of “new movie”. In the “Beautiful Bigfoot”, director Yang Yat-hau inherited the artistic spirit and essence of the traditional western movies and continued to extend the tentacles of the cinematic camera to the backward and remote