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姜文作为中国电影界不可忽略的一名导演,拍摄的每一部电影都极具张扬的个人性风格,吸引了无数学者对其电影的研究。李显杰老师在他的《电影修辞学:镜像与话语》中提出了十三种电影修辞格形态:长镜、特写、递进、叠印、重复、闪现、插入、变格、形变、碎切、偏重、喻意、幻构。我试从电影修辞格这一角度来分析姜文电影颇具魔幻现实主义风格的修辞策略,进而读解姜文电影的主题思想和深层意蕴。
As a director who can not be neglected in the Chinese film industry, Jiang Wen plays every film very public personality style, attracting countless scholars on the film’s research. In his The Rhetoric of Film: Images and Discourses, Professor Li Xianjie proposed 13 forms of rhetorical figures in the film: long mirror, close-up, progressive, overprint, repetition, flash, insert, transformation, deformation, , Metaphor, illusion. From the perspective of the rhetoric of the film, I try to analyze the rhetorical strategy of Jiang Wen movie, which is based on magical realism style, and then read the theme and deep meaning of Jiang Wen movie.