论文部分内容阅读
最近十余年来,国际性的当代艺术展在全球遍地开花,如何让一个具有地域性同时又是国际性的——追求国际影响力的艺术展与同类展览拉开距离,突显出自身个性:既从自身所面临的地区性问题出发,又能够应对国际社会共同的问题,确实令国际艺术展的策划人们颇费心机。今年先后举办的悉尼双年展、新加坡双年展都各自从本地文化艺术现实需要出发,给出了一个全新的解题方案。不约而同,这两个双年展的策划人都在试图通过艺术展览使当代艺术能够更多地切入和解答尖锐的社会问题,从而作用于当代社会政治及社会生活,而这也正是当代艺术越来越突出的发展方向之一。本期邵亦扬的文章对悉尼双年展的策展理念及部分展览作品做了较详细的剖析和介绍。
In the recent ten years, international contemporary art exhibitions have blossomed all over the world. How to make a regional and international exhibition of art with international influence far away from similar exhibitions highlight the individuality: Starting from their own regional problems and able to cope with the common problems of the international community, it is indeed a blessing for planners at international art exhibitions. This year’s Sydney Biennale and Singapore Biennale, each starting from the actual needs of local arts and crafts, give a whole new solution to the problem. Coincidentally, the curators of these two biennials are trying to use art exhibitions to make contemporary art more capable of cutting into and solving sharp social issues and thus acting on the political and social life in contemporary society. And this is exactly what the contemporary art To the more prominent one of the development. In this issue, Shao Yang also made a detailed analysis and introduction of the curatorial ideas and some exhibition works of the Sydney Biennale.