一、霍米·巴巴的“杂糅”理论后殖民理论作为当代多种文化政治理论的集合性话语,在消解中心性权威、倡导多元文化研究的潮流中崛起并拓展出广阔的文化研究视阈,使边缘文化得以重新认识自我及其民族文化前景。(朱锋颖,2009:126)新生代后殖民理论家霍米·巴巴提出的“杂糅”概念,深受巴赫金的“复调”理论和“杂种”理论的影响,并进一步将其与后殖民研究结合在一起,倡导殖民与被殖民的情境彼此杂糅,进而发展出新的过渡空间,即“第三空间”。巴巴认为 I. Homily Baba’s Theory of “Hybridization” As a collection discourse of contemporary multicultural theory, postcolonial theory has risen in the trend of digesting central authority and advocating multicultural studies and has expanded a broad perspective of cultural studies Threshold, so that the edge of the culture to re-recognize themselves and their national cultural prospects. (Zhu Fengying, 2009: 126) The concept of “hybrid” proposed by Homi Baba, a post-colonial postmodernist, is deeply influenced by Bakhtin’s “polyphony” and “hybrid” theories and further Combining it with post-colonial research and advocating the hybridization of colonial and colonial situations with each other leads to the development of a new transitional space, namely “the third space.” Baba think