曾有人问林丰俗作画关捩如何,答日:“夕阳芳草寻常物,解用都为绝妙词。”这个名句包含的既是一个方法,也是一种心态及一种情怀。它虽未必适合所有画家,却是解读林丰俗作品的最佳视角。作为当代岭南最具实力的山水画家,林丰俗的特质不在于大山大水和突兀离奇。面对自然客体的庞大资源,他选择了一个最适合自己的切入角度——乡村田园母题。田土村居,杂花生树,南方乡野的寻常景致一经他大胆地纳入艺术领域,再以鲜活灵动的笔墨语言出之,物象每每便带上一种含蓄的意韵,一种有如咏物诗般的隽永。很明显,林丰俗不太愿意居高临下地强调自己的审美发现,他对观画者采取了一种真诚、平等的交流方式。同样,这个角度也适合考察他雍容自信的运笔用墨规则。由此不难看到,林丰俗着力传达的是一种平淡自然、质朴无饰之情。 Someone once asked Lin Feng vulgar painting about how to answer the question: “The setting sun grasses are unusual things, and the solution is all excellent words.” This famous sentence contains both a method as well as a state of mind and a feeling. Although it may not be suitable for all painters, it is the best perspective to read the popular works of Lin Feng. Lingnan as the most powerful contemporary landscape painter, Lin Feng vulgar trait does not lie in the mountain water and unexpected bizarre. In the face of huge resources of natural objects, he chose one of the most suitable for their entry point - rural pastoral motif. When the unusual scenery of the fields and village houses, miscellaneous peanut trees and the southern rural areas have been boldly incorporated into the art field, and vividly written in ink and wash language, the images often carry an implicit meaning and charm, Poetic Meaningful. Obviously, Lin Feng vulgar reluctant to emphasize their own aesthetic discovery, he adopted a sincere and equal exchange of viewers. In the same vein, this point of view is also suitable for examining his rules of grace and self-confidence. It is not hard to see, Lin Fool vulgarity is a kind of plain and natural, simple and decadent situation.