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查尔斯·赖特的诗歌寻求在日常物质世界的现实之外发现一个超验的王国,具有远大的抱负与深刻的严肃性,充满了精神的渴望。赖特强调诗歌的形式特质,坚持将诗行而不是诗节放在首位。他追求惠特曼诗歌中宽广的生活热情与狄金森诗歌的智慧。他坚信诗歌真正的意图就是对神性的沉思以及对神性之神秘的探寻,这主要表现在对山水风景的思考。他拒绝使用泛神论来理解自然,而是像中国唐朝诗人那样使用自然意象,把个人的情感与心理变化寄寓于山水之中。如果存在某种超自然的事物,那么,这种不可思议的神秘性只能通过人的感性来捕捉;无限的事物也同样只能从有限的存在中得以认识。
Charles Wright’s poetry seeks to find a transcendental kingdom beyond the reality of the everyday material world, with ambitious aspirations and deep seriousness, full of spiritual aspirations. Wright emphasizes the formal qualities of poetry and insists on putting poetry rather than stanzas in the first place. He pursues the broad life passion in Whitman’s poetry and the wisdom of Dickinson’s poetry. He firmly believes that the true intention of poetry is to explore the divine nature and mysterious divinity, which is mainly reflected in the landscape scenery. He refuses to use pantheism to understand nature. Instead, he uses natural images as the Chinese Tang Dynasty poets did, placing personal emotional and psychological changes in the landscape. If there is something supernatural, then this incredible mysticalness can only be captured by human sentiment; and infinite things are likewise only recognizable from a limited being.