有时在旅途,或外出会议期间,我习惯通过闲聊作些调查,其中绝大部分外省人对锡剧的认知仅限于《双推磨》。若本省人氏还可能说出《珍珠塔》。一个剧种的兴衰与剧目建设有着密不可分的关联,一个剧种必须有自己的代表人物也无可争议。如评剧与新凤霞,黄梅戏与严凤英,豫剧与常香玉……又因他们而联想起一批经典剧目：《刘巧儿》、《花 Sometimes I am accustomed to conducting some surveys through chatting while traveling or going out for meetings. Most of the people in other provinces have a limited understanding of tin operas and are limited to “dual push”. If the people of this province may also say “Pearl Tower.” The rise and fall of a drama and the repertory of play are inextricably linked, a drama must have its own representative also undisputed. Such as the Pingju drama and Xin Feng Xia, Huang Mei Opera and Yan Fengying, opera and Chang Xiang Yu ...... And because of them and reminiscent of a number of classic repertoire: “Liu Qiaoer”, "Flower