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一、粤剧之美我们考察粤剧当前存在的问题,不宜局限于粤剧本身,应该把粤剧观众也纳入考察的范畴。因为没有观众也就没有戏剧(粤剧)。离开了审美主体,审美客体显然是毫无意义的。任何艺术作品只是提供潜在的审美功能,而只有它被观众读者接受的时候,才可能具有现实功能,才算是完成了整个的审美过程。同样道理,如果把一个艺术品种视为审美客体,这个艺术品种发生了危机,必然是在审美主、客体之间的关系发生了某种变化,要么是审美客体丧失了美的潜能,
First, the beauty of Cantonese opera We examine the current problems of Cantonese opera should not be limited to the Cantonese opera itself, Cantonese opera audience should also be included in the scope of inspection. Because there is no audience without drama (Cantonese opera). Left the aesthetic body, the aesthetic object is obviously pointless. Any work of art merely provides the potential aesthetic function, and only when it is accepted by the audience can it have the realistic function to complete the entire aesthetic process. By the same token, if a variety of art is regarded as an aesthetic object, the crisis in this art species will necessarily result in some change in the relationship between the aesthetic master and the object, or the loss of the aesthetic potential of the aesthetic object,