在中国现代文学史持久不息的乡土文学一脉中,40年代以流亡怀乡为主要特征的乡土文学创作成为与20年代乡土文学文化批判和30年代乡土文学社会分析相区别的时代主题。为本世纪初年中国社会结构的变迁和变动中的思想观念所影响,以鲁迅为代表的20年代乡土小说作家身处两种文明的边 In the lingering history of modern Chinese literature in the history of local literature, the creation of local literature with the characteristics of exile in the 1940s became the theme of the times that distinguishes itself from the criticism of local literature in the 1920s and the social analysis of native literature in the 1930s. Influenced by the changes and changes in China’s social structure in the early years of this century, writers of native novels in the 1920s, represented by Lu Xun, are at the edge of two civilizations